• Collin Richard
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Collin Richard

Collin Richard (United States, 1993) is a multidisciplinary artist who 
graduated from the Savannah College of Art and Design in the 
spring of 2015 with a B.F.A. in Painting and a minor in Art History. He has 
exhibited his work in Georgia, Oregon, Rhode Island, Virginia, New Hampshire, 
Washington, Colorado, North Carolina, Lacoste, France, and at the 
Crisp Ellert Art Museum in St. Augustine, Florida. He has also participated in 
residencies at Pulp and Deckle, and Leland Iron works in Oregon as well as at 
Mary Sky in Vermont. In 2019, Collin was the co-founder and curator of Here/There
a gallery in North Portland that showcased artists from around the world 
through critically focused and socially resonant programming.

Education:
Savannah College of Art and Design
B.F.A. in Painting
2015

Solo Exhibitions:
2019 - re:Presence, Paragon Gallery, Portland, OR

Group Exhibitions:
2021 - What's Different?, SOIL, Seattle, WA
         - Failsafe, Gallery 114, Portland, OR

2020 - In Gratitude, CCA&C Pacific Northwest College of Art, Portland, OR
         - Future, Timelike, Infinity, Carnation Contemporary, Portland, OR (curated by Michael Endo)

2019 - Human Nature: Pulp and Deckle Papermaking Exhibit, c3:initiative, Portland, OR
         - On the Tip of My Tongue, Carnation Contemporary, Portland, OR (curated by Katherine Spinella and Kristin Hough)

2018 - Ink+Press, ANX Gallery, Portland, OR
         - Artworks Northwest, Umpqua Valley Arts Association, Roseburg, OR
         - Ink and Print, Coos Art Museum, Coos Bay, OR

2017 - Small Works, Gustein Gallery, Savannah, GA
         - By Any Means Necessary, Redline Gallery, Denver, CO

2016 - Does Live Art Have to be Experienced Live?, SOIL, Seattle, WA
         - Drawing Never Dies, Redline Gallery, Denver, CO
         - MUX: Asheville, AAAC Gallery, Asheville, NC
         - Environmental Impact Statement, Sediment Gallery, Richmond, VA
         - Spaceness, Sou'Wester Lodge, Seaview, WA

2015 - Geometry, Hera Gallery, Wakefield, RI
         - Coming of Age: Artists Under 30, Sharon Arts Center, Peterborough, NH
         - Archive Projects, Welmont Gallery, Savannah, GA
         - BFA Exhibition, Alexander Hall Gallery, Savannah, GA
         - Jacket: Video Art Showcase, Crisp Ellert Art Museum, St. Augustine, FL
         - Drawing Works, Alexander Hall Gallery, Savannah, GA
         - Project Liminal, Indigo Sky Gallery, Savannah, GA
         - Define Art, Alexander Hall Gallery, Savannah, GA

2014 - Sketchbook Show, Sicky Gnar Gnar, Savannah, GA
         - Drawing Works, Alexander Hall Gallery, Savannah, GA


2013 - Vernisage, Lacost, Provence, France
         - Alexander Ink, Alexander Hall Gallery, Savannah, GA

2012 - These Friends Too, Desotorow Gallery, Savannah, GA

Residencies:
2019 - Leland Iron Works Residency, Oregon City, OR

2018 - Pulp and Deckle Papermaking Residency, Portland, OR
         - Mary Sky Residency, Hancock, VT

Awards:

2015 - Best In Show, Exploration. Drawing Works, Judged by Marcus Kenny.

         - Honorable Mention, 17th Annual All Media Exhibition


2014 - Best In Show, Exploration. Drawing Works, Judged by Blanche Nettles Powers.


Press

Rinaldi, Ray Mark. “Redline Gallery show examines drawings in their various materials, processes.” Denver Post. Print. July 29, 2016.


"Top 10 Art Shows of 2015." Savannah Art Informer. Web. December 27, 2015.


Chestney, Linda. "Talent for the New Millenium at Sharon Arts." Artscope Magazine. Print. June 30, 2015.


Flotte, Lauren. "Reflections of Expression: A banner year for local art so far." Connect Savannah. Web. May 27, 2015.


Platacis, Vanessa. "Archive Projects Exhibition." SCAD Painting Blog. Web. May 25, 2015. 



Collin's work revolves around an exploration of environmental epistemics,
taking as his point of departure the interstices of knowledge, governmentality,
and phenomenology as they pertain to a culturally discursive formation of “nature”.
Through a multidisciplinary approach to artistic production – which includes
sculpture, performance, printmaking, video, photography, and language –
he seeks to unmask the dualistic semiotic regime of nature as a product of
economic and cultural forces which has created the cognitive and physical

alienation underlying today’s dire environmental situation.

In residence at Pulp and Deckle
Photo: Sam Gehrke

Artist talk at c3:initiative
Photo: Sam Gerhke

Collin Richard (United States, 1993) is a multidisciplinary artist who 
graduated from the Savannah College of Art and Design in the 
spring of 2015 with a B.F.A. in Painting and a minor in Art History. He has 
exhibited his work in Georgia, Oregon, Rhode Island, Virginia, New Hampshire, 
Washington, Colorado, North Carolina, Lacoste, France, and at the 
Crisp Ellert Art Museum in St. Augustine, Florida. He has also participated in 
residencies at Pulp and Deckle, and Leland Iron works in Oregon as well as at 
Mary Sky in Vermont. In 2019, Collin was the co-founder and curator of Here/There
a gallery in North Portland that showcased artists from around the world 
through critically focused and socially resonant programming.

Education:
Savannah College of Art and Design
B.F.A. in Painting
2015

Solo Exhibitions:
2019 - re:Presence, Paragon Gallery, Portland, OR

Group Exhibitions:
2021 - What's Different?, SOIL, Seattle, WA
         - Failsafe, Gallery 114, Portland, OR

2020 - In Gratitude, CCA&C Pacific Northwest College of Art, Portland, OR
         - Future, Timelike, Infinity, Carnation Contemporary, Portland, OR (curated by Michael Endo)

2019 - Human Nature: Pulp and Deckle Papermaking Exhibit, c3:initiative, Portland, OR
         - On the Tip of My Tongue, Carnation Contemporary, Portland, OR (curated by Katherine Spinella and Kristin Hough)

2018 - Ink+Press, ANX Gallery, Portland, OR
         - Artworks Northwest, Umpqua Valley Arts Association, Roseburg, OR
         - Ink and Print, Coos Art Museum, Coos Bay, OR

2017 - Small Works, Gustein Gallery, Savannah, GA
         - By Any Means Necessary, Redline Gallery, Denver, CO

2016 - Does Live Art Have to be Experienced Live?, SOIL, Seattle, WA
         - Drawing Never Dies, Redline Gallery, Denver, CO
         - MUX: Asheville, AAAC Gallery, Asheville, NC
         - Environmental Impact Statement, Sediment Gallery, Richmond, VA
         - Spaceness, Sou'Wester Lodge, Seaview, WA

2015 - Geometry, Hera Gallery, Wakefield, RI
         - Coming of Age: Artists Under 30, Sharon Arts Center, Peterborough, NH
         - Archive Projects, Welmont Gallery, Savannah, GA
         - BFA Exhibition, Alexander Hall Gallery, Savannah, GA
         - Jacket: Video Art Showcase, Crisp Ellert Art Museum, St. Augustine, FL
         - Drawing Works, Alexander Hall Gallery, Savannah, GA
         - Project Liminal, Indigo Sky Gallery, Savannah, GA
         - Define Art, Alexander Hall Gallery, Savannah, GA

2014 - Sketchbook Show, Sicky Gnar Gnar, Savannah, GA
         - Drawing Works, Alexander Hall Gallery, Savannah, GA


2013 - Vernisage, Lacost, Provence, France
         - Alexander Ink, Alexander Hall Gallery, Savannah, GA

2012 - These Friends Too, Desotorow Gallery, Savannah, GA

Residencies:
2019 - Leland Iron Works Residency, Oregon City, OR

2018 - Pulp and Deckle Papermaking Residency, Portland, OR
         - Mary Sky Residency, Hancock, VT

Awards:

2015 - Best In Show, Exploration. Drawing Works, Judged by Marcus Kenny.

         - Honorable Mention, 17th Annual All Media Exhibition


2014 - Best In Show, Exploration. Drawing Works, Judged by Blanche Nettles Powers.


Press

Rinaldi, Ray Mark. “Redline Gallery show examines drawings in their various materials, processes.” Denver Post. Print. July 29, 2016.


"Top 10 Art Shows of 2015." Savannah Art Informer. Web. December 27, 2015.


Chestney, Linda. "Talent for the New Millenium at Sharon Arts." Artscope Magazine. Print. June 30, 2015.


Flotte, Lauren. "Reflections of Expression: A banner year for local art so far." Connect Savannah. Web. May 27, 2015.


Platacis, Vanessa. "Archive Projects Exhibition." SCAD Painting Blog. Web. May 25, 2015. 



Collin's work revolves around an exploration of environmental epistemics,
taking as his point of departure the interstices of knowledge, governmentality,
and phenomenology as they pertain to a culturally discursive formation of “nature”.
Through a multidisciplinary approach to artistic production – which includes
sculpture, performance, printmaking, video, photography, and language –
he seeks to unmask the dualistic semiotic regime of nature as a product of
economic and cultural forces which has created the cognitive and physical

alienation underlying today’s dire environmental situation.

In residence at Pulp and Deckle
Photo: Sam Gehrke

Artist talk at c3:initiative
Photo: Sam Gerhke